Georges Hung
Aerial night view of the SEVEN Obhur complex along the Jeddah waterfront, its façades and promenade lit
One destination along the Obhur waterfrontDesign Director: Georges Hung. Image: SEVEN-Obhur.
Case study · Entertainment · Jeddah

SEVEN Obhur

From fragmented design to one coherent destination — the public realm of a waterfront entertainment complex in Jeddah, brought under one design direction.

Project
SEVEN Obhur Entertainment Complex — public realm design enhancement
Location
Obhur, Jeddah, Saudi Arabia
Client
SEVEN
Year
2025 – ongoing; design enhancement report July 2026
Programme
Attractions, dining, retail and public space
Scope
Design review, refinement and public realm consolidation
Status
Under construction
Role
Georges Hung, Design Director within the Lead Design Consultant team

Complex projects do not always need a new concept. Sometimes they need a rigorous review, and a clear direction the whole team can work toward.

The challenge

SEVEN Obhur is a major waterfront entertainment development that brings attractions, dining, retail and public spaces into a single destination. After the original concept design, the project needed substantial refinement and coordination to respond to changing operational requirements, technical constraints and a new experiential narrative.

The task was not to improve components one by one. It was to set one coherent design direction across architecture, interiors, landscape, theming, mobility and guest services, while holding to the project’s development objectives.

Aerial daytime view of the complex on the shoreline, the city beyond
The site — a long waterfront frontage on the Obhur coastDesign Director: Georges Hung. Image: SEVEN-Obhur.

My role

My appointment was Design Director within the Lead Design Consultant team. It was a review from inside the design team, not an external or independent appointment. From that position I led the review and refinement of the proposals through the design enhancement stage.

Working with the project leadership, the design team and specialist consultants, I tested each design element against the whole destination, identified where the parts did not yet work together, and set out how to resolve them.

Find what is missing. Bring the right expertise together. Set one direction for everyone.

What the review covered

What it found

Each finding led to a recommendation, and each recommendation to a design response.

One decision: the car park façade

Make a functional structure part of the destination, not a building beside it.

  1. Existing proposal

    The February 2025 sea façade: parametric wave fins along the car park, with three exposed parking blocks between them finished only in paint.

  2. Issue identified

    From the water and the promenade, the façade broke into fins and open, painted decks. The car park read as a car park, apart from the destination rather than part of it.

  3. Recommendation

    Treat the façade as part of the destination, and resolve ventilation, modular construction, maintenance and its relation to the waterfront together, not one after another.

  4. Revised proposal

    Of three concept options, the client chose Pixel Mashrabiya. It was developed into one continuous skin of modular perforated panels in shades of blue, with shade, play and planting along the promenade. It was consolidated in the design enhancement report issued in July 2026, and the client has approved the revised car park façade.

Earlier sea façade of the car park seen from the water: cream wave fins with three open parking blocks marked Paint Treatments in red
Before — the February 2025 sea façade, with the three paint-treated parking blocks markedEarlier design, before Georges Hung’s appointment. Image: SEVEN-Obhur.
Option 1, Obhur Waves: the car park seen from the sea, wrapped in vertical brushed-metal fins in gold and silver tones
Option 1 Obhur Waves
Option 2, Pixel Mashrabiya: the car park seen from the sea, clad in modular perforated panels in greens and ochres
Option 2 Pixel Mashrabiya · Chosen by the client
Option 3, Reef Whisper: the car park seen from the sea, clad in textured coral-red panels
Option 3 Reef Whisper

Three concept options for the car park façade, June 2025. The client chose Option 2, Pixel Mashrabiya, which became the approved design.Design Director: Georges Hung. Image: SEVEN-Obhur.

The approved car park façade seen from the sea by day: modular perforated panels in shades of blue above the waterfront promenade, with shade sails and plantingThe same view at night: the perforated blue panels lit from within, reflected in the water along the promenade
After — Pixel Mashrabiya, developed and approved: the sea façade by day and by nightDesign Director: Georges Hung. Image: SEVEN-Obhur.

The design response

01 — Establishing design coherence

The public realm consolidation brought twelve major design elements into one coordinated framework, so that each could be reviewed as part of a complete visitor environment rather than on its own.

Diagram of twelve design elements — façades, interiors, guest services, attraction portals, theming, the SEVEN icon, landscape, canopies, signage, retail and F&B, car park and mobility — arranged around the Celestial Navigation narrative
Twelve design elements, held together by one narrativeDesign Director: Georges Hung. Image: Georges Hung Architect.

02 — Connecting design with guest experience

The Celestial Navigation narrative — “a journey from sea to stars” — was developed by the specialist theming consultant. The refinement set out to make it legible across the destination, from arrival and orientation to each entertainment experience.

Plan of the complex with the guest route linking a sequence of themed atriums from the car park to the far entrance
The guest journey — one route through a sequence of themed atriumsDesign Director: Georges Hung. Image: Georges Hung Architect.
A tall atrium with sweeping white ribbons overhead and visitors on several levels
The Sails atrium
An atrium centred on a suspended, lit sculptural form, shops and visitors around it
Centre of the Universe atrium

Design Director: Georges Hung. Image: SEVEN-Obhur.

03 — Reconciling ambition with practical constraints

The design process worked through architectural interfaces, operational requirements, material choices, construction and value engineering. The car park façade shows the approach: a functional structure made into a recognisable part of the destination, while ventilation, modular construction, maintenance and its relation to the waterfront were resolved together (see One decision, above).

Shade sails on coloured posts over a landscaped walkway
Canopies and shade
Restaurant terraces under a patterned façade at dusk, palms and paths in front
Dining along the waterfront

Design Director: Georges Hung. Image: SEVEN-Obhur.

04 — Leading multidisciplinary design integration

A programme of intensive workshops and design reviews brought architecture, engineering, interiors, landscape, theming and specialist input to the same table. It ended in a consolidated design enhancement report, issued in July 2026 and submitted to the client for approval: one coordinated reference for the next stage of development.

The marina at dusk with moored boats, the complex and its tower beyond
The marina
An atrium with a ring of suspended lights over a reception desk and seating
The Map atrium

Design Director: Georges Hung. Image: SEVEN-Obhur.

12
design elements brought into one framework.
1
narrative carried through the destination: Celestial Navigation.
6
disciplines at the same table: architecture, engineering, interiors, landscape, theming and specialists.

The value

The consolidation set a more coherent architectural and experiential direction across the public realm, with the project’s principal design components working within one shared framework.

It showed what an experienced review adds from within the design team: testing each part against the whole, resolving interfaces, and turning findings into coordinated proposals, submitted to the client for approval. The revised car park façade has been approved by the client.

The arrival plaza at night, a lit water feature and the colourful SEVEN icon beyond
The arrival plaza at nightDesign Director: Georges Hung. Image: SEVEN-Obhur.

Write to Georges

To hello@georgeshung.com