Georges Hung
The golden oval of the Poly Theatre beside the glass wall of the commercial centre, palms and a tower beyond
The theatre and the commercial centre — one calm form, one busy frameDesign: Architecture Georges Hung with Huazhu. Photography: Yanzi Luo.
Project details · Culture · Shenzhen

Poly Multi-performance
Theatre

A 1,500-seat theatre in Nanshan, Shenzhen — a smooth oval of glass and metal, set against a commercial centre so that together they shape a new civic plaza.

Project
Poly Multi-performance Theatre and Commercial Centre
Location
Nanshan District, Shenzhen, China
Client
Poly Group, Guangzhou
Year
2004–07, completed end of 2007; opened 2008
Site
53,962 m²
Floor area
Theatre 15,000 m²; commercial centre 35,000 m²
Status
Invited international competition, first prize; built
Design
Architecture Georges Hung, with Huazhu, Shenzhen

A theatre and a shopping centre on one site. One wants calm, the other wants noise. The plaza between them is where the city meets both.

The brief

Poly Group and the Nanshan District set out to build a platform for international culture, mixing commercial development with cultural and economic facilities. At its heart was a theatre for 1,500 people, equipped for concerts and recitals, drama, dance and opera. Around it, a commercial centre of 35,000 m² and a public plaza. Together they had to become a civic landmark for the district.

Concept sketch of the theatre’s oval form beside a planning model of the plaza, lit from within
First sketch and planning model — the oval set within the plazaDesign: Architecture Georges Hung with Huazhu. Image: Architecture Georges Hung.

The tension

The usual answer is to bury the theatre inside a podium of shops. It saves land, but the theatre loses its presence and the shops lose a reason to visit. Commerce needs signage, colour and constant change. Performance needs focus and a clear threshold. Put in one box, each weakens the other.

Let the shops be busy. Let the theatre be calm. Give the plaza to both.

The move

I separated the two and let each be what it is. The theatre became a single smooth oval in glass and metal — clean, open and confident, with nothing added to it. The commercial centre became its counterpoint: a rectilinear frame of glass, coloured panels and steel canopies, made to carry signs, light and activity.

Set at the south-east of the site, the oval gives the plaza its shape. It defines the open space to the east and at the centre, and gives the whole cultural plaza its sense of place.

The theatre’s metal skin curving above the street, apartment towers behind
The oval meets the street
The commercial centre’s coloured glass façade beside the curved edge of the theatre
Two volumes, two characters

Design: Architecture Georges Hung with Huazhu. Photography: Yanzi Luo.

How it works

1,500
seats, for concerts, drama, dance and opera.
15,000 m²
of theatre, foyers and stage.
35,000 m²
of commercial centre around the plaza.
53,962 m²
site in the Nanshan District.
1st
prize in the invited international competition.
2007
completed, with Huazhu as executive architects; opened 2008.

The skin

The oval is clad in a lattice of glass and metal panels on a steel frame. Each panel follows the curve. Perforated panels soften the light where the foyer needs shade; clear glass opens it where the public should see in.

Wireframe drawing of the oval’s steel structure
The structural frame of the oval
Close view of triangular metal and perforated panels following the curve of the skin
Metal and perforated panels on the curve

Design: Architecture Georges Hung with Huazhu. Left: Architecture Georges Hung. Right: Yanzi Luo.

The top of the oval glowing gold against a deep blue sky
The skin at sunsetDesign: Architecture Georges Hung with Huazhu. Photography: Yanzi Luo.
The theatre at dusk, its glass shell lit from within
At dusk, the foyer shows through the glassDesign: Architecture Georges Hung with Huazhu. Photography: Huazhu Architects.

Inside

The foyer sits between the oval and a glass wall held by white steel trusses. The hall itself is quiet and warm: tiered balconies wrap the stalls, and every seat looks toward the stage.

The foyer: the metal-clad oval on one side, a tall glass wall on white steel trusses on the other
The foyer between the oval and the glass wallDesign: Architecture Georges Hung with Huazhu. Photography: Huazhu Architects.
The hall seen from the stage: stalls and two curved balcony tiers
The hall from the stage
Curved balcony fronts stepping down toward the stage
The balconies

Design: Architecture Georges Hung with Huazhu. Photography: Huazhu Architects.

The commercial centre

Across the plaza, the commercial centre does the opposite. Its glass carries coloured panels that change with the reflections of the city, and a light steel canopy reaches out over the entrance and the roof edge.

The commercial centre’s glass façade with red, green and yellow panels reflecting neighbouring towers
Coloured glass, reflecting the cityDesign: Architecture Georges Hung with Huazhu. Photography: Yanzi Luo.
The steel canopy over the entrance to the commercial centre
The canopy
The commercial centre’s roof canopy over coloured glass
The roof edge

Design: Architecture Georges Hung with Huazhu. Photography: Yanzi Luo.

What it gave back

Completed at the end of 2007, the theatre opened to the public in 2008 as the principal cultural venue of the Nanshan Cultural Centre. It gave the district a stage for international performance,, and the plaza a form people recognise at a glance.

Mixing culture with commerce does not have to mean hiding one inside the other. Given their own form, each makes the other more visible.

The entry arch: a curved band of glass reflecting the plaza above blue glazing
The entry archDesign: Architecture Georges Hung with Huazhu. Photography: Yanzi Luo.

Write to Georges

To hello@georgeshung.com